{"id":4986,"date":"2025-12-10T13:13:28","date_gmt":"2025-12-10T18:13:28","guid":{"rendered":"https:\/\/beaverbrookartgallery.org\/?post_type=exhibition&#038;p=4986"},"modified":"2026-03-11T08:51:15","modified_gmt":"2026-03-11T12:51:15","slug":"art-school-confidential-atlantic-canadian-artists-in-canadian-art-schools","status":"publish","type":"exhibition","link":"https:\/\/beaverbrookartgallery.org\/fr\/exhibition\/art-school-confidential-atlantic-canadian-artists-in-canadian-art-schools\/","title":{"rendered":"Partir pour l\u2019art\u202f: quand des artistes d\u2019ici choisissent de se former ailleurs au Canada\u00a0"},"content":{"rendered":"<p>Dans son film culte <em>Partir pour l\u2019art<\/em>Terry Zwigoff tourne en d\u00e9rision la comp\u00e9tition entre artistes pour l\u2019argent et la gloire, apparentant litt\u00e9ralement les \u00e9tudes en \u00e9cole d\u2019art \u00e0 une question de vie ou de mort. Il s\u2019agit de divertissement, bien entendu, et la r\u00e9alit\u00e9 est quasi toujours beaucoup plus prosa\u00efque. C\u2019est en \u00e9cole d\u2019art que les futurs artistes acqui\u00e8rent des comp\u00e9tences, assimilent l\u2019histoire de l\u2019art et tissent des liens qui perdureront souvent des d\u00e9cennies. Si le succ\u00e8s, ou m\u00eame une carri\u00e8re d\u2019artiste, n\u2019est pas forc\u00e9ment au rendez-vous, chaque \u00e9tudiant en art retire quelque chose d\u2019unique de son exp\u00e9rience. Qu\u2019il s\u2019agisse d\u2019un institut d\u2019art ind\u00e9pendant ou d\u2019une facult\u00e9 universitaire, chaque \u00e9cole d\u2019art a quelque chose de diff\u00e9rent \u00e0 offrir aux aspirants artistes \u00e0 travers ses infrastructures, la ville qui l\u2019entoure, les talents du corps enseignant ou encore l\u2019exp\u00e9rience tant\u00f4t intimiste et contemplative, tant\u00f4t achaland\u00e9e et anim\u00e9e.&nbsp;<\/p>\n\n\n\n<p>Notre r\u00e9trospective <em>Un appel artistique : le rayonnement des beaux-arts \u00e0 Mount Allison <\/em>porte un regard approfondi sur l\u2019une des principales \u00e9coles d\u2019art du pays, dont les racines remontent \u00e0 1854. <em>Partir pour l\u2019art <\/em>elle pr\u00e9sente des \u0153uvres d\u2019artistes qui ont choisi de se former ailleurs. D\u2019anciens \u00e9l\u00e8ves et des membres du corps enseignant du NSCAD, du NBCCD et de l\u2019Universit\u00e9 de Moncton figurent aux c\u00f4t\u00e9s d\u2019artistes qui ont choisi de quitter la r\u00e9gion pour \u00e9tudier \u00e0 Montr\u00e9al, Toronto et Vancouver.\u00a0&nbsp;&nbsp;<\/p>\n\n\n\n<p>Issue de la vaste collection permanente d\u2019art contemporain du Canada atlantique du Mus\u00e9e des beaux-arts Beaverbrook, <em>Partir pour l\u2019art <\/em>pr\u00e9sente des \u0153uvres de Ned Bear, Jaret Belliveau, Judy Blake, Rick Burns, Brigitte Clavette, Gerard Collins, Gerald Ferguson, Alexandra Flood, Yvon Gallant, Helen Gregory, Jay Isaac, Herzl Kashetsky, Katherine Knight, Ghislaine McLaughlin, Nancy Morin et Graeme Patterson.\u00a0\u00a0<\/p>\n\n\n\n<p>Un projet de l\u2019Institut Marion McCain pour l\u2019art du Canada atlantique&nbsp;&nbsp;<\/p>","protected":false},"excerpt":{"rendered":"<p>In Terry Zwigoff\u2019s 2006 cult-classic film Art School Confidential, artistic competition for fame and financial success is lampooned, with the art school experience likened to a literally life or death issue. That\u2019s entertainment, of course, and education is almost always much more prosaic. Art schools are where prospective artists go to learn skills, absorb art [&hellip;]<\/p>\n","protected":false},"featured_media":4989,"menu_order":0,"template":"","eh-category":[10,11],"class_list":["post-4986","exhibition","type-exhibition","status-publish","has-post-thumbnail","hentry","eh-category-hero-home","eh-category-home-featured"],"_links":{"self":[{"href":"https:\/\/beaverbrookartgallery.org\/fr\/wp-json\/wp\/v2\/exhibition\/4986","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/beaverbrookartgallery.org\/fr\/wp-json\/wp\/v2\/exhibition"}],"about":[{"href":"https:\/\/beaverbrookartgallery.org\/fr\/wp-json\/wp\/v2\/types\/exhibition"}],"version-history":[{"count":2,"href":"https:\/\/beaverbrookartgallery.org\/fr\/wp-json\/wp\/v2\/exhibition\/4986\/revisions"}],"predecessor-version":[{"id":5082,"href":"https:\/\/beaverbrookartgallery.org\/fr\/wp-json\/wp\/v2\/exhibition\/4986\/revisions\/5082"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/beaverbrookartgallery.org\/fr\/wp-json\/wp\/v2\/media\/4989"}],"wp:attachment":[{"href":"https:\/\/beaverbrookartgallery.org\/fr\/wp-json\/wp\/v2\/media?parent=4986"}],"wp:term":[{"taxonomy":"eh-category","embeddable":true,"href":"https:\/\/beaverbrookartgallery.org\/fr\/wp-json\/wp\/v2\/eh-category?post=4986"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}