{"id":4699,"date":"2025-09-23T10:52:45","date_gmt":"2025-09-23T14:52:45","guid":{"rendered":"https:\/\/beaverbrookartgallery.org\/?post_type=exhibition&#038;p=4699"},"modified":"2025-12-08T13:37:13","modified_gmt":"2025-12-08T18:37:13","slug":"pursuing-the-new-new-brunswicks-modern-graphic-design-history","status":"publish","type":"exhibition","link":"https:\/\/beaverbrookartgallery.org\/fr\/exhibition\/pursuing-the-new-new-brunswicks-modern-graphic-design-history\/","title":{"rendered":"\u00c0 la poursuite de la nouveaut\u00e9 : l'histoire du graphisme moderne au Nouveau-Brunswick"},"content":{"rendered":"<p>Le Nouveau-Brunswick poss\u00e8de un patrimoine visuel riche et remarquable. Si, dans les derni\u00e8res ann\u00e9es, la culture visuelle d\u2019apr\u00e8s-guerre dans la province a \u00e9t\u00e9 largement \u00e9tudi\u00e9e, un pan essentiel et omnipr\u00e9sent de cette culture demeure m\u00e9connu : le graphisme. Des identit\u00e9s visuelles modernistes de NBTel et d\u2019\u00c9nergie NB dans les ann\u00e9es 1960 au logo du pont du port de Saint-Jean, de l\u2019h\u00e9ritage extraordinaire des affiches de Theatre New Brunswick dans les ann\u00e9es 1970 \u00e0 la vague de travaux dynamiques cr\u00e9\u00e9s pour incarner la renaissance acadienne moderne, l\u2019histoire graphique de la province fait partie int\u00e9grante de notre identit\u00e9 culturelle. N\u00e9glig\u00e9e jusqu'\u00e0 aujourd\u2019hui, elle refait surface.&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p>Retracer l\u2019histoire du graphisme au Nouveau-Brunswick de 1945 \u00e0 1985 est un projet inestimable pour nos archives visuelles, ainsi qu\u2019un t\u00e9moignage du r\u00f4le jou\u00e9 par la province dans l\u2019histoire du graphisme au Canada et \u00e0 l\u2019internationale. \u00c0 la faveur de recherches d\u2019archives, d\u2019entretiens avec des professionnels du secteur et d\u2019analyses de publications ainsi que de visuels de programmes culturels historiques, cette exposition remonte aux sources tout en d\u00e9voilant les retomb\u00e9es de nos embl\u00e8mes et de notre patrimoine visuel.&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p><em>Exposition organis\u00e9e par Tanya Duffy et pr\u00e9sent\u00e9e par le Marion McCain Institute for Atlantic Canadian Art<\/em><\/p>\n\n\n\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>New Brunswick has a rich and notable visual history, and recently there has been much explored relative to its postwar visual culture. Yet a significant and pervasive area of that culture has been largely unexamined to any degree: graphic design. From the modernist 1960s corporate identities of NBTel and NB Power, to the Saint John [&hellip;]<\/p>\n","protected":false},"featured_media":4894,"menu_order":0,"template":"","eh-category":[10],"class_list":["post-4699","exhibition","type-exhibition","status-publish","has-post-thumbnail","hentry","eh-category-hero-home"],"_links":{"self":[{"href":"https:\/\/beaverbrookartgallery.org\/fr\/wp-json\/wp\/v2\/exhibition\/4699","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/beaverbrookartgallery.org\/fr\/wp-json\/wp\/v2\/exhibition"}],"about":[{"href":"https:\/\/beaverbrookartgallery.org\/fr\/wp-json\/wp\/v2\/types\/exhibition"}],"version-history":[{"count":3,"href":"https:\/\/beaverbrookartgallery.org\/fr\/wp-json\/wp\/v2\/exhibition\/4699\/revisions"}],"predecessor-version":[{"id":4893,"href":"https:\/\/beaverbrookartgallery.org\/fr\/wp-json\/wp\/v2\/exhibition\/4699\/revisions\/4893"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/beaverbrookartgallery.org\/fr\/wp-json\/wp\/v2\/media\/4894"}],"wp:attachment":[{"href":"https:\/\/beaverbrookartgallery.org\/fr\/wp-json\/wp\/v2\/media?parent=4699"}],"wp:term":[{"taxonomy":"eh-category","embeddable":true,"href":"https:\/\/beaverbrookartgallery.org\/fr\/wp-json\/wp\/v2\/eh-category?post=4699"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}